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Anato, Rollei 35, and Madrid
In the heart of Madrid, Yuliya Panchenko and Anota used a fragile Rollei 35 TE and a risky, unbranded 35mm film to capture a raw, fearless chapter of boudoir history.

Rural Erotica: When a Rooster Met Rolleicord
On a quiet Florida porch, Yuliya Panchenko captures boudoir with a twist—silk, a rooster, and a vintage Rolleicord II. In Forbidden Frames, seduction returns to subtlety and film.

Argus C3 and the Full-Figure Model
A surprise 100mm lens on the Argus C3 led to unexpected crops, but what stayed in frame was pure power, lace, and full-figure beauty in black and white.

Boudoir History Reborn with the Nikon FM2.
A $99 book vanished, the wrong film was loaded, and her studio walls became uninvited guests in every frame.

Boudoir Behind the Veil
When Yuliya Panchenko picked up a Nikon F3 to shoot boudoir, she didn’t plan to start a rebellion—but then...

Was She Even Wearing Pants?
During a daring boudoir shoot with a vintage Minolta, onlookers weren’t sure if the photographer forgot her pants—or was just that committed to the vibe.
Forbidden Frames
100 Years of Recreated Boudoir Photography History
Forbidden Frames is an ongoing three-year project and bold artistic movement led by Yuliya Panchenko to protect the timeless craft of film photography while celebrating boudoir as a powerful form of artistic expression. The vision: to photograph 100 models in 100 locations using 100 vintage analogue film cameras—recreating a century of forbidden and forgotten boudoir history. Through raw, unapologetic imagery, the project aims to reclaim sensuality, preserve the beauty of film, and reignite the legacy of intimate portraiture.
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Yuliya Panchenko stripped completely nude in the middle of a Swiss wheat field after failing her own Forbidden Frames challenge
Yuliya Panchenko captures sensual boudoir in Zurich’s fields using Kodak Portra 800 on Bronica Zenza S, bringing sheer fabrics, flowers, and nature to life.
In Zurich, Yuliya Panchenko and Marina Siahaan used the Bronica Zenza S to capture freedom, art, and fearless nudity in the season finale of Forbidden Frames.
In the heart of Madrid, Yuliya Panchenko and Anota used a fragile Rollei 35 TE and a risky, unbranded 35mm film to capture a raw, fearless chapter of boudoir history.