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Shoot Film?
Watch New Episodes on BIB TV

Best 120 Color Film for Boudoir
Yuliya Panchenko captures sensual boudoir in Zurich’s fields using Kodak Portra 800 on Bronica Zenza S, bringing sheer fabrics, flowers, and nature to life.

Kodak, Ektar100 at Twilight
In a mirrored lounge, Yuliya Panchenko captures her reflection—endlessly. Shot on Ektar100 with the Konica Auto S2, she becomes both muse and maker in a surreal frame.

Lisbon Wasn’t Ready for Boudoir
Armed with a Konica Auto S2, she turned a conservative city into a canvas for bold, unapologetic boudoir art.

Rural Erotica: When a Rooster Met Rolleicord
On a quiet Florida porch, Yuliya Panchenko captures boudoir with a twist—silk, a rooster, and a vintage Rolleicord II. In Forbidden Frames, seduction returns to subtlety and film.

Boudoir Behind the Veil
When Yuliya Panchenko picked up a Nikon F3 to shoot boudoir, she didn’t plan to start a rebellion—but then...

Was She Even Wearing Pants?
During a daring boudoir shoot with a vintage Minolta, onlookers weren’t sure if the photographer forgot her pants—or was just that committed to the vibe.
Forbidden Frames
100 Years of Recreated Boudoir Photography History
Forbidden Frames is an ongoing three-year project and bold artistic movement led by Yuliya Panchenko to protect the timeless craft of film photography while celebrating boudoir as a powerful form of artistic expression. The vision: to photograph 100 models in 100 locations using 100 vintage analogue film cameras—recreating a century of forbidden and forgotten boudoir history. Through raw, unapologetic imagery, the project aims to reclaim sensuality, preserve the beauty of film, and reignite the legacy of intimate portraiture.
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Yuliya Panchenko stripped completely nude in the middle of a Swiss wheat field after failing her own Forbidden Frames challenge
Yuliya Panchenko captures sensual boudoir in Zurich’s fields using Kodak Portra 800 on Bronica Zenza S, bringing sheer fabrics, flowers, and nature to life.
In Zurich, Yuliya Panchenko and Marina Siahaan used the Bronica Zenza S to capture freedom, art, and fearless nudity in the season finale of Forbidden Frames.
In the heart of Madrid, Yuliya Panchenko and Anota used a fragile Rollei 35 TE and a risky, unbranded 35mm film to capture a raw, fearless chapter of boudoir history.